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低樓底、高質感:如何在香港單位引入混凝土的粗獷詩意

  • 11分钟前
  • 讀畢需時 2 分鐘

最近睇到墨西哥一個露天畫廊 Arte Abierto Baja,建築師將空間沉入地底,用五米高嘅混凝土牆圍出一個天井——光線、樹影、海風變成展品嘅一部分。香港唔會有五米高嘅牆,甚至連三米都奢侈,但呢種「唔做白盒子、用物料同光去講嘢」嘅思路,換個比例,其實好啱香港嘅細單位。

"Light and sea breeze shape the viewing" of exhibits at open-air art gallery in Mexico — CLAY Interior Design
CLAY Interior Design — "Light and sea breeze shape the viewing" of exhibits at open-air art gallery in Mexico

混凝土不是工業專利,是空間嘅畫布

喺嗰個畫廊入面,混凝土牆唔係背景,而係主角——表面留低模板紋、氣孔,甚至石頭嘅粗獷質感,令光線打下嚟嘅陰影特別有層次。香港單位樓底得2.5米,唔可以靠「高」嚟製造震撼,但可以用「近」——當物料夠質感,你行過佢身邊就好似摸到建築嘅肌理,根本唔需要高樓底。

我哋成日諗「工業風」就係水泥地、黑鐵、皮梳化,但真正嘅粗獷係唔可以做假嘅。你要接受混凝土唔完美:裂紋、色差、水波紋,全部係天然人工嘅痕跡。香港天氣潮濕,實心混凝土牆容易有「泌水」問題,所以我哋通常建議用微水泥或者仿混凝土塗料,薄薄一層,既有觸感,又冇結構性風險。

客觀睇混凝土嘅優同劣

混凝土唔係神話。優點係耐火、耐污、質感獨特,而且隨住時間會「養」得愈嚟愈有味道;缺點係造價高、施工工序多,仲要有心理準備佢會出現幼細裂紋。如果你接受到呢種「自然嘅不完美」,咁先至適合用喺屋企。另外,香港回南天特別濕,如果用真石牆或者清水混凝土,一定要做防水底漆,否則牆身會「出汗」,木地板會受害。

如果你想試但又唔敢行太前,我哋會建議由一幅特色牆開始。將混凝土嘅厚重感轉化做一個焦點,其他牆身保留白油或淺色乳膠漆,反而令空間有對比,唔會悶。記住,物料係配角,生活先係主角。

如果你正面對類似的設計兩難,歡迎與我們聊聊你的想法。

"Light and sea breeze shape the viewing" of exhibits at open-air art gallery in Mexico — 靈感參考圖片 1
Image source: 設計部落格 — "Light and sea breeze shape the viewing" of exhibits at open-air art gallery in Mexico
"Light and sea breeze shape the viewing" of exhibits at open-air art gallery in Mexico — 靈感參考圖片 2
Image source: 設計部落格 — "Light and sea breeze shape the viewing" of exhibits at open-air art gallery in Mexico
"Light and sea breeze shape the viewing" of exhibits at open-air art gallery in Mexico — 靈感參考圖片 3
Image source: 設計部落格 — "Light and sea breeze shape the viewing" of exhibits at open-air art gallery in Mexico
"Light and sea breeze shape the viewing" of exhibits at open-air art gallery in Mexico — 靈感參考圖片 4
Image source: 設計部落格 — "Light and sea breeze shape the viewing" of exhibits at open-air art gallery in Mexico
"Light and sea breeze shape the viewing" of exhibits at open-air art gallery in Mexico — 靈感參考圖片 5
Image source: 設計部落格 — "Light and sea breeze shape the viewing" of exhibits at open-air art gallery in Mexico

靈感來源:設計部落格 — "Light and sea breeze shape the viewing" of exhibits at open-air art gallery in Mexico by Jon Astbury

 
 
 

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